Genie MacLeod – Latent Period
after “The Song” by Naomi Shihab Nye
Before, you shared the song
with others. Placed it in
beloved mouths —
your mother’s, son’s, the women
of Monday night choir practice.
Hearts strung in a garland,
dancing together on breath’s ecstatic breeze
until the air was made of music.
It isn’t the nights
but the days that have lengthened now.
Or perhaps the empty hours themselves,
skin of them stretched
beyond all recognition.
You reach into your phone
for someone to sing with,
two faces close as satellite permits —
A half-duplex system provides
communication in both directions,
but only one direction at a time,
not simultaneously.
Your parted voices cross
and gutter like a flame
and mocking echo makes a hocket
of your unison.
The months go by.
From sitting so often by the window
you can now identify
the jewel-bright blue jay’s
strident jeer. Brash and grating,
it pierces spring’s canopy of sound.
Sometimes the greater pain
is when the balm itself
becomes the wound.
Genie MacLeod (she/her) is a production editor for a children’s book publisher. Her poems have appeared in or are forthcoming in Arc Poetry Magazine, Funicular Magazine, The New Quarterly and Prairie Fire. She lives in Vancouver with her husband and two children.
Artwork: Inside the Wound by Marie Marchand
Marie Marchand is the Poet Laureate of Ellensburg, WA. Her poetry has been published in Crannóg Magazine, Catamaran Literary Reader, Tikkun Magazine, and elsewhere. Her book Gifts to the Attentive was published in 2022. A passionate mental health advocate, she believes that poetry and art are healing vehicles for self-discovery and community-building. She is a graduate of Naropa University and The Iliff School of Theology where she studied psychology, religion, and peacemaking. She and her husband enjoy living on the sunny side of Washington with their two rescued min pins Benny and Joon. Read more at mishiepoet.com and follow her @mishiepoet.