Vikki C. – [For The Untitled Ones]
As if it matters on this humid evening, curling my hair
against its will to resist common ground while the pretty ones
live the straight path to heaven. I’d step out the portrait
if it meant the rest could heal, return small, via some aperture,
slip into my mother’s body — the needle conveniently lost.
Say it is not a wound but some mistaken blessing.
You know, how a dress frays quietly until its fibres
fall in piles of glitter. It is that abandoned language
that bites its own lip before tongues ever spoke.
The pill they swallow when war becomes too much.
How would I know the scent of jasmine
if not for drifting between mountains?
The local variety blooms after dark, when it's easier
to love what you cannot see.
In Chinese, the word for mother sounds similar
to the interrogative at the end of a question.
When the air is thick with warm, white petals,
I lie down in the tangled gauze of backstories,
where all my ancestors fit like babies inside my womb
— even the traitors.
It’s in this dream, I stop asking.
Vikki C. is a British-born ‘Best of The Net’ nominated author, poet and musician, writing at the intersections of science, ecology, existentialism and the human condition. She is the author of THE ART OF GLASS HOUSES (Alien Buddha Press, 2022) and WHERE SANDS RUN FINEST (DarkWinter Press) a full-length collection released in January 2024. Vikki's work appears or is forthcoming in EcoTheo Review, The Belfast Review, ONE ART Poetry, Ice Floe Press, Black Bough Poetry, Nightingale & Sparrow, Acropolis Journal, The Broken Spine, Boats Against The Current, DarkWinter Literary Magazine, Origami Poems, Mythic Picnic, FeversOf and other venues. Twitter: @VWC_Writes
Artwork: The return of Agamemnon by Giuseppina Brandi
Giuseppina Brandi lives in Naples, Italy, with her five-year-old son. She has a Master's Degree in Comparative Literatures, with a Dissertation on Poetry in Europe during WWI. She is currently taking a Professional Course in Literary Translation. Autodidact, she has always loved drawing and painting, and she takes inspiration from natural world and human emotions. With a great passion for poetry too, she believes in the power that art and poetry have of healing and connecting. Her artwork has been published in Black Bough Poetry edition Sound and Vision, Acropolis Journal: Issue Seven, Blue Motel Rooms Poetry and Art inspired by Joni Mitchell, The Poetica Sisterhood of Sylvia & Anne, Fever of the Mind Poetry, Art&Music: Issue 8, Cover art of the Spellbinder literary Magazine: Autumn issue 2023, Acropolis Journal: Issue Eight, Moss Puppy Magazine.